Brand New Dangerous Music Monitor ST Faster Shipping

Dangerous Music Monitor ST - Stereo Monitor-Control System with Remote Control 

  • Four Switchable Analog Inputs
  • Three Sets of Switchable Speaker Outputs
  • Speaker Offsets for Level Matching
  • Independent Subwoofer Control and Filter
  • Talkback, Solo, Dim, Mute, Mono Controls
  • Built-in Talkback Mic and Remote Mic In
  • 20W Headphone Amplifier
  • Analog Stepped Attenuator
  • Expandable to Surround Sound Monitoring
  • Remote Control with CAT 5e Connection

The Dangerous Music Stereo MONITOR ST Control System with Remote Control is a 1 unit rack mountable device designed by mastering engineers for monitoring your mix in a studio setting. The device features four switchable analog input sources (-10 dBv or +4 dBu) and three sets of speaker outputs with independent subwoofer control and low pass filtering.

You can program input gain offsets to adjust the device's inputs for different sources. You can also independently adjust and store the subwoofer's level and decide which sets of speakers it will play with. Input 4 has a continuously variable level offset so you can compensate for a commercially mastered CD and carry out true A/B comparisons between your mix and a finished track.

A stereo auxiliary input allows you to layer additional elements on top of your mix such as a voice over when doing work for post production. A talkback microphone with built-in microphone and optional remote circuit gives you the choice of sending the talkback signal to an external cue or to open air speakers. An onboard cue power amplifier provides 40W of power. For headphone monitoring, the unit also includes a 20W headphone amplifier with independent volume control.

Functions such as solo, mono, mute, dim, source selection, speaker selection, and setting recall are controlled by the included remote control, which connects to the device over Ethernet CAT 5e cable. An analog stepped attenuator volume control on the remote provides precise and repeatable adjustments to the overall output level. The unit can be expanded for surround sound operation by connecting the optional MONITOR SR system.

Front Panel

Headphone Monitoring
Provides 20W per channel of high headroom headphone amplification
Remote Microphone Input
Allows you to use an external microphone for talkback
Talkback Microphone
Injects the communication microphone into the headphone cue system
Main to Cue
Sends the selected control room main audio to the cue amplifier and the phones outputs
Aux Input to Cue - to Main
Sends the auxiliary input to speakers, cue, or both so you can have a separate talent cue mix from the main headphone mix
Input 4 Level
Turns down the level on input 4 as needed so you can compare the current mix's output level to that of a mastered CD

Rear Panel

Auxiliary Input
Provides a separate stereo input with a separate path so you can layer an additional element such as a voice over on the control room mix
Analog Input and Output
Connects inputs and outputs through a 25-pin D-Sub connector
DC In
Provides power from external power supply which helps reduce the amount of heat in the monitoring unit
TB Remote
Produces remote talkback switch
Slate
Provides a signal path for the talkback microphone output so it can be played through open-air speakers or an external cue system
Cue Amp Out
Sends the headphone mix to a remote headphone box, allowing the 20W per channel to be distributed to up to 16 pairs of headphones
Remote
Connects to the monitor by Ethernet CAT 5e shielded cable in up to a 100' run. The remote controls all major functions of the monitor

Design

DC Coupled
Constructed without transformers or filters caps that would smear the stereo image. Instead the device is built with large voltage rails and Mogami point to point wiring
Mastering Grade Components
Designed and built to mastering standards to improve imaging, headroom, detail, and punch